Pack №11Code word: PROMPT11

Pottery Barn Ashley Stark Grand Sofa «Aesthetic Macro Commercial» — the full prompt pack

The exact prompts behind this ad: the base prompt, all 9 frame beats of the delivered 22-second film, and the product lock we used so the sofa never changes — same Espresso chenille, same grid tufting, every frame.

PROMPT11

Comment this word under the video and the pack that lands in your DMs is this one — Pack №11, the Pottery Barn Ashley Stark pack.

22 secondsVertical 9:169 frame beatsMacro + wide heroChosen sofa: Ashley Stark, Espresso
The hero of the ad: the whole Ashley Stark Grand Sofa in the bright window living room — square track arms, grid-tufted seat, loose back pillows, marble coffee table in front.
The hero of the ad: the whole Ashley Stark Grand Sofa in the bright window living room — square track arms, grid-tufted seat, loose back pillows, marble coffee table in front.

The result

This is the finished ad the pack below produced — a 22-second macro commercial, animated between the approved frames, from an extreme macro of Espresso chenille to a wide hero of the whole sofa.

Watch it on YouTube: youtube.com/shorts/JTbYhHXG9-k

The master prompt

Copy it as-is. This is the prompt system — the base prompt plus the locks pasted into every generation, word for word. The frame-by-frame prompts and segment moves below are part of the same system.

Master prompt — Aesthetic Macro Commercial
Create a 10-second ultra-photorealistic luxury sofa commercial, vertical 9:16, strictly following all 15 storyboard frames in chronological order. Preserve the exact terracotta bouclé sofa, cushions, proportions, fabric texture, Mediterranean interior, arched windows, warm sunlight and natural shadows. Start with an extreme macro of the rounded armrest, reveal the entire sofa through a smooth cinematic camera move, show a woman's hand gently stroking the soft upholstery, then transition into detailed macro shots of the rich fabric fibers, precise stitching, plush cushions, rounded armrests and sturdy black legs. Alternate elegant close-ups with wide architectural shots, using smooth dolly slides, slow push-ins, subtle orbital movements and shallow depth of field. Show the cushions gently compressing and naturally recovering to demonstrate comfort. Maintain premium furniture advertising aesthetics, realistic material physics, soft golden daylight, refined compositions and seamless rhythmic transitions. Finish with a beautiful wide hero shot of the sofa, then transition to a minimalist beige background featuring the elegant black logo "Xylon" and tagline "LIVE BEAUTIFULLY". No extra furniture, no redesign, no artificial effects, no distortion. Cinematic realism, premium commercial quality.

ADAPTATION (how this base prompt was actually used for Ashley Stark — read this, do not copy the terracotta sofa or the Xylon card): the base prompt supplies the animation mechanic and camera language (extreme macro -> woman's hand touch/stroke -> cushions compressing and naturally recovering -> alternating close-ups and wide architectural shots -> wide hero; smooth dolly slides, slow push-ins, subtle orbital movements, shallow depth of field, realistic material physics). Realised through the AIE canon method: animation only between approved frames, 22.0 s total, beats 2-3 s; passport sofa and location substituted for the terracotta boucle sofa / Mediterranean interior. NOT taken from base: the Xylon logo end card (foreign brand; our final card sells the prospect's own product).

FORMAT: vertical 9:16, photorealistic, bright sunlit premium living room in San Francisco (location passport: two tall windows, brass-framed mirror centered between them, white panelled walls, light warm oak floor, pale cream rug, round marble + brass chain-link coffee table); the sofa in EVERY frame is exactly the passport sofa — Ashley Stark Tufted Sofa, Grand 102 inch, Performance Casual Chenille in Espresso (deep dark brown), grid-tufted seat cushion, loose oversized back pillows, square track arms 7 inch wide, low plinth base, small cylindrical rubberwood legs in Seadrift finish barely visible, overall 102w x 41d x 37h inch, wide low proportions; wide shots show the WHOLE sofa fully inside the frame with room around it, never cropped at the edges; NO text, no logos, no watermark in frames; NO writing on the nails in the delivered film (see the note below)

PRODUCT LOCK: Ashley Stark Tufted Sofa — Grand Sofa 102 inch, Performance Casual Chenille, Espresso; loose cushions, down-blend-wrapped core; tufted seat cushions; square track arms; removable cylindrical rubberwood legs, Seadrift finish; overall 102w x 41d x 37h inch; inside seating 86w x 28d x 20h inch; seat height 20 inch; legs 3 inch diameter x 2 inch high; weight 215 lbs; frame engineered wood, mortise-and-tenon joinery; springs no-sag steel sinuous springs; adjustable levelers; Contract Grade; Sutter Street Factory. Grid tufting across the seat is the signature element; square track arms 7w x 27h inch and loose oversized back pillows are the second distinctive element; low plinth base, legs barely protruding.

LOCATION LOCK: bright premium living room in San Francisco, CA; behind the sofa two tall multi-pane windows with white trim; BETWEEN them centered a tall narrow mirror in a thin aged-brass frame, reflecting a white arched passage and greenery; walls white with classic panel moulding and white baseboards; at the right edge only the edge of a painting in a gold frame; daylight sun from the windows, soft and bright, long soft shadows across the rug; no evening or warm artificial light; palette white + light warm oak + pale cream; the only dark accent of the room is the Espresso sofa; floor light warm oak; centered a large pale-cream flatweave rug; the sofa EXACTLY centered in the room and in the frame, facing the camera, back to the window wall; in front of it centered a round coffee table (white marble, brass chain-link legs, circular brass base); at the left by the window a green leafy plant in a white pot on a white pedestal. GEOMETRY RULE: one and the same room in every frame — windows, mirror, plant, table and rug never change place or proportion; only the camera and the shot scale change. In wide shots the sofa is whole in frame with room air around it, NEVER cropped at the edges.

HAND LOCK: ONE bare female hand, no gloves, no jewellery, no tattoos; nails matte brand violet #5E17EB, PLAIN, with no letters, no wordmark and no decor on any nail. This is the delivered film's own rule, not the storyboard spec: see the note below. The hand is bare ON PURPOSE: a glove would kill this film's mechanic — skin contact with the chenille, a readable press, a dent that holds and slowly disappears. No writing of any kind on the hand: no logos, tattoos, writing or jewellery; no rings or bracelets.

All 9 frame beats

The beats the master prompt breaks into — each beat is the approved anchor frame of the delivered film (22.0 s, 9 frames / 8 segments, beats 2.5–3.0 s). Animation runs ONLY between approved frames; a segment prompt contains only the motion.

F01 · 0.0S — EXTREME MACRO, CHENILLE TEXTUREEXTREME MACRO of the Espresso chenille seat cushion: the woven chenille grain fills the whole frame, fine looped yarn texture with a soft sheen in raking sunlight, one grid-tufting seam and a tuft dimple crossing the lower third, deep dark brown Espresso colour, shallow depth of field, no hand, no other objects — the texture IS the hook frame.
F02 · 2.5S — MACRO-WIDE, TUFTED SEAT CUSHIONMACRO-WIDE of the tufted seat cushion from a low front angle: the regular grid tufting of the long seat cushion reads across the frame, front edge of the seat cushion below, the bottom edge of one loose back pillow above, a patch of sunlight on the Espresso chenille, cushion surface smooth and unpressed, no hand.
F03 · 5.0S — CLOSE, FIRST CONTACTCLOSE on the right half of the tufted seat cushion, SAME framing as f02 but tighter: a bare female hand (hand identity) enters from the top of frame, palm down, fingers gently spread, fingertips just making first contact with the chenille surface — visible light contact, skin slightly flattening against the fabric, cushion not yet compressed, nails clearly visible.
F04 · 8.0S — CLOSE, DEEP PRESSCLOSE, SAME framing as f03: the same bare female hand is pressed DEEP into the seat cushion — palm and fingers sunk in, the down-blend cushion compressed into a clear deep dent around the hand, chenille wrinkling and folding naturally around the fingers, the tufting grid pulled and distorted only around the press, nails clearly visible, fabric physics realistic: soft upholstery compression, NOT rubber, NOT foam-block.
F05 · 10.5S — CLOSE, DENT HOLDS, HAND GONECLOSE, SAME framing as f03/f04, hand GONE (just lifted straight up out of frame): the deep hand-shaped dent is still clearly held in the seat cushion, creases and folds of Espresso chenille frozen around the empty impression, tufting grid still distorted around the dent, no hand anywhere in frame.
F06 · 13.5S — CLOSE, CUSHION RECOVEREDCLOSE, SAME framing as f03-f05: the seat cushion has slowly recovered — surface smooth and full again, the tufting grid regular, only the faintest soft wrinkle left fading near one tuft seam, Espresso chenille calm in the sunlight, no hand; the recovery reads gradual and complete, not a bounce.
F07 · 16.5S — HALF-PROFILE, WHOLE SOFAHALF-PROFILE medium-wide: the whole sofa seen from its front-left diagonal — the square track arm in the foreground shows the full 41 inch depth, grid-tufted seat and loose back pillows read clearly, small Seadrift legs just visible under the plinth; the WHOLE sofa is fully inside the frame with floor and room space around it, tall bright windows and the brass mirror behind it, coffee table edge at the lower right, sunlit.
F08 · 19.5S — WIDE, WHOLE LIVING ROOMWIDE of the whole living room (location passport main view): the sofa sits exactly in the center, smaller in the room space, fully inside the frame with generous room around it on all sides; round marble + brass coffee table centered in front of it on the pale cream rug, green plant far left, mirror centered between the two tall windows behind the sofa, bright daylight — the room that does it all, sofa as its calm center.
F09 · 22.0S — HERO THREE-QUARTERHERO three-quarter — the passport angle (gallery 03): the whole sofa from the front-left three-quarter view, slightly low camera, square arm leading, tufted seat and loose pillows catching the window light, WHOLE sofa fully inside the frame with the bright room softly around it, mirror and windows behind, final confident product hero, no people.

All 8 segment moves

The moves between pinned frames only — the prompt of a segment contains only the motion, never a re-description of the product or the scene:

S1 F01->F02 (2.5S)smooth dolly slide pulling back across the seat cushion; the chenille weave resolves into the regular grid tufting of the long seat cushion, shallow depth of field.
S2 F02->F03 (2.5S)camera holds close; a bare female hand enters from the top of frame, her fingertips touch the chenille and gently stroke a few centimetres across it (base-prompt hand beat), then settle palm-down.
S3 F03->F04 (3.0S)her palm presses down slowly and deeply; the cushion sinks around her hand, a clear dent forms, the fabric wrinkles naturally around her fingers.
S4 F04->F05 (2.5S)her hand lifts straight up and out of frame; the deep dent stays held in the cushion, creases frozen.
S5 F05->F06 (3.0S)the cushion slowly rises back — the dent fills in gradually, wrinkles smooth out little by little until the surface is full and calm again; no bounce, no snap.
S6 F06->F07 (3.0S)camera pulls back and rises from the cushion to the half-profile of the whole sofa.
S7 F07->F08 (3.0S)camera continues pulling back to the wide living room; the sofa settles into the exact center of the room.
S8 F08->F09 (2.5S)subtle orbital camera glide to the front-left three-quarter hero angle, slowly pushing in, and a final hold on the whole sofa.

What never changes — the negatives

The negative lock applied in every generation — the sofa is never redrawn, recoloured or morphed:

no text, no logos, no watermark in generated frames; no writing on the nails in the delivered film
no tracked nail decal and no wordmark on any other nail — the v1 decal version and the parallel v5 (decal restored) are banned; the published v3 uses integrally generated clean frames
no different wood tone, no glossy finish — Espresso Performance Casual Chenille only
no different tufting — grid tufting across the seat only, one long seat cushion with no centre seam
no tall thin legs, no ball feet, no centre leg — only small cylindrical Seadrift legs at the corners
no cropped sofa in wide shots — the whole sofa fully inside the frame with room around it
no evening light, no closed curtains, no moved or removed mirror — the same bright room in every frame
no other hero furniture, no people except the one bare hand in the touch beats (F03–F04) — no faces, no bodies, no reflections of people in the mirror
no rubber or foam-block physics — the cushion compresses softly like down-blend upholstery, holds the dent, and recovers slowly with no bounce and no snap
no morphing of the product, no colour change, no identity change — the same physical sofa in every frame

A note on the prompt as actually used

The film on this page is the published v3 (22.0 s, owner-approved 2026-10-18, Critic PASS), not v1 and not the parallel v5: both of those carry a tracked nail decal, which the owner banned outright — v3 re-animated the touch beats between integrally regenerated clean frames, and the nails in the published film are PLAIN matte violet with no wordmark at all — verified on the published v3 frame at t=6.0 s. This overrules the storyboard spec: cycle 3 of the storyboard prescribed an integrally generated AIevgen wordmark on the ring-finger nail, but the owner's final v3 fix ordered 'No wordmark on the nails at all' and re-animated the touch beats between integrally regenerated CLEAN frames (f03-clean/f04-clean). An earlier Critic round had also rejected a PIL-composited wordmark version, so do not paste a logo onto a nail and call it this pack. This pack follows the DELIVERED film: plain nails. Two more honest facts: the hand is bare on purpose — the location passport records that a glove would kill the readable press and the skin-on-chenille contact this ad is built on, so this pack deliberately breaks from the glove canon used elsewhere; and the store price and SKU from the product passport are internal only and do not appear on this page or in the tutorial texts. The case folder holds the storyboard sheet and the passports but no separate frames/ directory — the hero image above is the delivered film's own final hold, extracted from the published v3 video, so what you see is exactly what the prompt produced.

How to run it — the short version

Three steps. The prompt alone is not enough: the frames and the passport do half the work, and their exact build is the part we keep in the paid work.

1
Pick your starting frames

Choose the still frames the video will move between — the 9 beats above are your map, from extreme macro to wide hero.

2
Build a product passport

One identity sheet for your product, locked word-for-word into every generation — like the Ashley Stark lock above.

3
Generate between approved frames

Start frame + end frame pinned, short segments, one approved frame feeding the next — the product stays identical to the last frame.

Want this done for your product instead of by hand? The offer below is built exactly for that — for you, and only today.

Free

Get an analytics agent for your channel

On our blog: how to build an agent that runs your channel analytics for you — what is working, what to post next, decided from your numbers instead of guesswork. It is the same agent-first approach that planned this ad. Look for the analytics-agent article on the AIevgen blog — it is free to read.

First order · 10 video creatives · 3–4 business days

Style Test Pack — $97

$97 first order only
  • 10 AI ad videos for your product — the core of the pack
  • Bonus: a carousel for 1 product
  • Bonus: the Ready-to-Post Kit — everything prepared, you just publish

Made with the same system as the Ashley Stark Grand Sofa ad above: passport, storyboard, frame-by-frame generation. Changed your mind before we start? 100% refund. The result is not your taste? One full remake — or up to 3 small fixes — until it is. The $97 price is for the first order only; after that, client terms apply.

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